By Unknown Lamer from
Slashdot's some-heads-are-gonna-roll department:
After winning the right to use the term perjury in regards to Warner Bros abuse of the DMCA takedown procedure, and successfully
blocking the MPAA from using the term "piracy" at their trial, Hotfile
settled out of court with the MPAA today (mere days before the trial was scheduled to begin). As part of the deal, they are dropping their
countersuit against Warner Bros, paying $80 million, and
halting all operations immediately. The Hotfile website has been
replaced by an MPAA message. From Torrent Freak:
"The settlement deal was rubber stamped by the U.S. District Court for the Southern District of Florida, ... The MPAA is happy with the outcome which it says will help to protect the rights of copyright holders on the Internet. 'This judgment by the court is another important step toward protecting an Internet that works for everyone,' MPAA boss Chris Dodd says."Read Replies (0)
By Soulskill from
Slashdot's make-them-cover-the-help-desk department:
An anonymous reader writes
"I work at a manufacturing company. We have roughly 150 employees, 130 desktops, 8 physical servers, 20 virtual servers + a commercial SAN. We're a Windows shop with Exchange 2013. That's the first part. The second part is we have an ERP system that controls every aspect of our business processes. It has over 100 customizations (VB, but transitioning over to C#). We also have 20 or so custom-made support applications that integrate with the ERP to provide a more streamlined interface to the factory workers in some cases, and in other cases to provide a functionality that is not present in the ERP at all. Our IT department consists of: 1 Network Administrator (me), 4 Programmers (one of which is also the IT Manager). I finally convinced our immediate boss that we need another network support person to back me up (but he must now convince the CEO who thinks we have a large IT department already). I would like them to also hire dedicated help desk people. As it stands, we all share help desk duties, but that leads to projects being seriously delayed or put on hold while we work on more mundane problems. It also leads to a good amount of stress, as I can't really create the solid infrastructure I want us to have, and the developers are always getting pressure from other departments for projects they don't have the manpower to even start. I'm not really sure how to convince them we need more people. I need something rather concrete, but there are widely varying ratios of IT/user ratios in different companies, and I'm sure their research turned up with some generic rule of thumb that leads them to believe we have too many already. What can we do?"Read Replies (0)
By Soulskill from
Slashdot's go-put-your-favorite-band-on-repeat department:
Nerval's Lobster writes
"Spotify wants to change the perception that it's killing artists' ability to make a living off music. In a new posting on its Website, the streaming-music hub suggests that songs' rights-holders earn between $0.006 and $0.0084 per stream, on average, and that a niche indie album on the service could earn an artist roughly $3,300 per month (a global hit album, on the other hand, would rack up $425,000 per month). 'We have succeeded in growing revenues for artists and labels in every country where we operate, and have now paid out over $1 billion USD in royalties to-date ($500 million of which we paid in 2013 alone),' the company wrote. 'We have proudly achieved these payouts despite having relatively few users compared to radio, iTunes or Pandora, and as we continue to grow we expect that we will generate many billions more in royalties.' But does that really counter all those artists (including Grizzly Bear and Damon Krukowski of Galaxie 500) who are on the record as saying that Spotify streaming only earns them a handful of dollars for tens of thousands of streaming plays? Let's say an artist earns $0.0084 per stream; it would still take 400,000 'plays' per month in order to reach that indie-album threshold of approximately $3,300. (At $0.006 per stream, it would take 550,000 streams to reach that baseline.) If Spotify's 'specific payment figures' with regard to albums are correct, that means its subscribers are listening to a lot of music on repeat. And granted, those calculations are rough, but even if they're relatively ballpark, they end up supporting artists' grousing that streaming music doesn't pay them nearly enough. But squeezed between labels and publishers that demand lots of money for licensing rights, and in-house expenses such as salaries and infrastructure, companies such as Spotify may have little choice but to keep the current payment model for the time being."Read Replies (0)